The story
Wendy was nervous about attending the 2011 IA Summit in Denver, Colorado. It was her first time at a major conference and she didn’t know a soul. But as this is an informal, friendly conference, her fears were unfounded. In fact, lots of people came up to her during the opening cocktail hour on Thursday evening to chat. And Linda even brought her a drink. By the time she had talked with Dr. Sternberg and three other IA/UX professionals, she was feeling pretty confident.
The challenge
From the following clues, can you name the first four people Wendy spoke with, the order in which they arrived, and the subjects of the various conversations?
The clues
1. One person, who operates a small west-coast studio, came up to Wendy to talk about service design. This person stepped up just before Andy, but after Ms. Smith.
2. Another person was particularly interested in personas and had many ideas to share with Wendy. This was after Prof. Jones had congratulated her on winning a FatDUX student sponsorship to the event.
3. Someone had just finished reading a post on the FatDUX blog about “Writing for the Web” and was all excited about content strategy. This was just after Wendy had spoken with Hansen, who was the next person to approach her after Lynn.
4. “I’m so jealous of your work,” said Wendy to the person who came up to her and talked about wireframes. “Deliverables are simply SO exciting!” The wireframe expert was the person who showed up just before Jeff.
The prize
As a prize, FatDUX will be awarding a USD 50 gift certificate that can be redeemed at any participating…oh screw the formalities…Eric will give you fifty bucks cash to use any way you want. But you do have to show up in Denver to collect it!
So there you have it. Can you solve the puzzle? You’ve got all the information you need. Now show us that as an information professional you know how to handle information challenges!
Send your answers directly to Eric at er (at) fatdux (dot) com. First right anwer takes the prize.
Offer may be void in Southeastern Montana, parts of central Romania, and at 924 West End Avenue, NYC. Check local regulations before responding. Employees of FatDUX are not eligible for the cash prize, but if you show up at the Hyatt Regency bar in Denver, we won’t disappoint you.
1. Listen and learn. In that order.
Wisdom may come from intuition, but understanding comes from knowledge. If your urge is to show off your knowledge, that’s generally the time to shut up.
2. A perception is always true to the perceiver
If someone thinks “green is ugly”, you will rarely convince them otherwise. It is very difficult to mirror your own unique vantage point.
3. The best ideas are the toughest to convey
I’ve found it helps to say that Seth Godin, Warren Buffet, or Benjamin Franklin thought of my ideas first.
4. Insightfulness is both a talent and a curse
Did you experience a true epiphany? Or are you just creating problems in a Munchausen-by-proxy fashion? It’s not easy to tell…and always frustrating.
5. Common sense is not a common quality
The mesencephalon (mid-brain), which controls emotions, tends to veto the rational stuff coming from the prosencephalon (new brain). Very frustrating when our prosencephalon gets into a fight with someone else’s mesencephalon.
6. Honesty provides the ultimate competitive edge
Folks can take my friends and my belongings, but they can never take my integrity. Cheaters never prosper. This I believe to be an absolute fact.
7. Never take yourself too seriously
The “high horse” is still a depressingly popular vehicle.
N.B. Thanks to Erik van den Berg from Zeist in the Netherlands, for encouraging this interesting philosophical exercise via Twitter and e-mail.
The Mysterious Flame of Queen Loana
Umberto Eco
Secker & Warburg, 2005
The Italian author, Umberto Eco, is probably best known for The Name of the Rose. This exceptionally curious story of a well-to-do Italian seller of rare books is equally fascinating. Billed as “an illustrated novel”, there are actually pictures. One of the most strange and charming novels I’ve read in years – and with a surprise twist ending.
Stardust
Joseph Kanon
Atria, 2009
I found Kanon through his first novel, Los Alamos, a detective story set during the development of the atomic bomb in New Mexico in the 1940s. He went on to write The Good German, an excellent novel and a good film in the film noir tradition, starring George Clooney. Stardust is his latest novel, set in Hollywood in 1946 – just when the witchhunt for Communists was starting. A great read.
Spook Country
William Gibson
Putnam, 2007
Gibson, who coined the term “cyberspace” has entered the foray regarding new vs. old media. And he mixes social media in there, too. Hard to categorize this as a spy story, social commentary or something else entirely. But the digital ninjas should love this one, as did I.
Rosa
Jonathan Rabb
Crown, 2005
One of the most original detective stories I’ve read in years. The story unfolds in post-WW I Berlin as Detective Inspector Nikolai Hoffner investigate the disappearance of Communist activist Rosa Luxemburg. This is the first book in a trilogy. Number two, Shadow and Light, plays out at the UFA film studios in the late 20s. And I can’t wait for number three to come out. But if you love mystery stories and have a bent for history, start here, you won’t regret it.
Min Broders Vogter
Leif Davidsen
Lindhardt og Ringhof, 2010
For the benefit of our Danish readers – kan jeg sige at Davidsens roman om en mand, der eftersøger sin bror under den spanske borgerkrig er fantastisk. Den starter langsomt, men bær over med det – bogen bliver utrolig spændende.
The Bridge Over the Drina
Ivo Andric
Harvill, 1995
Andric is perhaps the most famous author in Croatia, and was awarded the Nobel Prize for literature in 1961. This incredibly moving story is set in Bosnia (Andric’s homeland). Forget what you think you know about the Balkans. If you really want to understand the mindset of a people who have lived with war and hatred for over a century, this is the place to start. With humor and compassion, Andric chronicles the lives of Catholics, Moslems, and ortodox Christians unable to reconcile their disparate loyalties.
Eight Pillars of Gree Wisdom
Stephen Bertman, Ph.D.
Fall River Press, 2003
The subtitle to this really neat book is “What you can learn from classical myth and history.” I don’t know how much you know about Greek mythology, but I was forced to memorize all of Edith Hamilton’s epic work back in high school. I never “got it” until I read this book – which in many ways is a kinder-and-gentler version of Machiavelli’s The Prince.
Predictably Irrational
Dan Ariely
Harper Perennial, 2010
Several years ago, I attended a web conference during which there was an excellent presentation on persuasive design. Most of the idealistic audience was appalled: “we are far too noble to do this kind of sneaky stuff.” On the other hand, I cut my teeth in advertising. I know that persuasive techniques can be used for both good and evil. Anyway, Dan Ariely, a brilliant Israeli scientist at MIT outlines dozens of fascinating experiments that show how easily we are swayed. A must read for anyone in interactive marketing.
The Weblog Handbook
Rebecca Blood
Perseus, 2002
Rebecca is a dear friend who is married to another dear friend, Jesse. Both are exceptional opinion leaders and I am honored to know them. Rebecca was also “Goth Babe of the Week” some years ago, which is pretty cool. Anyway, one would think that an 8-year-old book on blogging was way past its prime. But no. Rebecca really nails it – the generic considerations of blogging, without the stigma of “look at me, I’m a 25-year-old-self-proclaimed-social-media-guru.” A brilliant book that deserves to be discovered by new readers.
A Brief History of Time
Stephen Hawking
Bantam, 1988
I’ve made a successful career of explaining complicated stuff to folks who need simple (but not dumbed-down) explanations. For me, A Brief History of Time, represents the kind of communications we should all strive to achieve. If you are a content strategist/information architect, you can learn a lot from observing how Hawking arranges his material. And if you’re writing, well, take a lesson from a real master. Are you in doubt? Then ask yourself how a physics book can become a record-breaking best-seller!
Talk to the Hand
Lynne Truss
Gotham, 2005
Truss is perhaps better known for her amazing book about grammar (yes, punctuation and such).� Eats, Shoots & Leaves went on to become a New York Times bestseller. Now, she takes on the service industries – the understanding of which I have long considered to be a critical part of the online experience. Although Truss pretends this has to do with manners and etiquette, you can take EVERY RECOMMENDATION SHE MAKES and apply it directly to both online and offline service experiences.
Kinflicks
Lisa Alther
Knopf, 1975
I don’t know if anyone is reading Lisa Alther these days. But they should; she (and John Irving) showed the world back in the 1970s that storytelling could be different. VERY different. Lisa is active in the Author’s Guild, where I am also a member. I was hoping to have dinner with her some time ago and therefore reread her debut novel, Kinflicks. It deals with the trials and tribulations of Ginny Babcock, who has broken out of her family’s mold, but is semi-ostracized for this. I couldn’t put the book down when I read it the first time back in 1976. And I repeated this extraordinary experience when I re-read it earlier this year. Simply outstanding. And I still hope to meet the woman someday 
We all take trips on regular basis. They might defer in destination, purpose and pace, but nonetheless we travel to that finale we once set foot to. And while we are at that, we do not venture on a flat surface, but rather go through a maze of intersecting multiple such ones. What I am trying to say is that we all have an ultimate goal, and although there are twists and turns in each road map we all get there eventually.
Fewdays back, I had to fly to Germany for one day - a quick in and out into the heart of technological country's capital Munich. There were two meetings to attend and both of them required extensive hops on the trains. Now, my German, if I can say I have any, is strictly attached to the fact that I speak French and English. And if I try very hard, from time to time I can make up the meaning of all these signs, names and direction. I have to say that prior to the trip I was worried. No one was supposed to pick me up from the airport and I had to find my way in a city I have never visited before.
To my surprise, there was not a single moment I doubted the way I took. This is not, because I am a super-duper smart bloke. It is because someone in the city's government took the time to make everything so accessible through the metropolitan's rail system. This is what I call great user experience - Munich simply did not allow me to think of anything else except my upcoming meetings. Efficiency seems to be written in bold capital letters.
Now let's take a step back to the week before the trip when I had actually to figure out the whole trip - this is my online travel to the destination - getting as much information and setting the plan up:
- Lufthansa.com - I had to buy a ticket and the site offered me a purchasing process in 5 simple steps. It actually added value to me acquiring the ticket without pushing any irrelevant info or added value service.
- Google Maps - East, West, South, North, you know, that type of thing. Well, street names and addresses to look up. Simply input the address and the magnify. Click on Print and the PDF is already on you Mac and then on the Kindle. Easy-peasy!
- Munich Transportation System - with this one I had a blast at http://mvv-muenchen.de. Not only it saved me money by pinpointing the cheapest option for my travel, but also the info was available in 5 languages. Try to research these for Moscow, Shanghai or Sofia. Word of advise, if you decide to do that, have a shot of vodka next to the computer… On a second thought, get the whole bottle!
As I said, the whole trip was a quick and dirty job - no fancy-shmancy touristy stuff, no time for food and definitely no opportunity to be lost in translation. The only bad moment I can think of is that Munich has virtually nonexistent free Wi-Fi spots. Shanghai and Sofia rule big time over that.
But here is the punch in the whole story - User Experience. This is not a notion that applies only to your website or application. It concerns every trip the user takes in order to complete a task set up front, reach a goal or simply enjoy the ride. Great user experience is achieved through supplying all the means in terms of information architecture, content, clarity and staying out of the way(which means no messing up with my mind). And believe me, doing all that needs careful consideration based on research, common sense and ability to walk in someone else's shoes.
And before you take off to another page on the FatDUX's site, have you ever wondered how the whole thing with the Metropolitain map started?
Well, you have to give credit to
Henry (Harry) Charles Beck. Almost 80 years ago, he created the London Tube Map based on a topological approach. And since, he did that on his own time (not during working hours), I guess he simply wanted to offer a better information architecture and user experience. Or in Grant Campbell's most eloquent words at
EuroIA 2010 in Paris:
"Much of IA involves clarification: how can complex information spaces be made clear to users? In many cases, we achieve clarity by anticipating the user's need and selecting or suppressing details, just as the mind suppresses sensory information that is extraneous to a given task. Beck's map of the London Underground is a famous example of information visualization that achieves just such a purpose, by abandoning scale, and by emphasizing only those details necessary for a clear purpose."
In 1908 London Tube's map had a geographical approach (distance, babe!):
In 1933 Harry Beck took a structural approach that takes the noise and user's perplex off:
It seems Munich Transportation Services paid close attention. Lufthansa and Google Maps did so, too. But do you? Next time you take a trip, think about it and do share in the comment section bellow!
P.S. Thanks to our own Eric Reiss for providing pointers on background information!
Derrick Wheeler, SR SEO Architect at Microsoft, recently announced that “structure” is the new king of SEO. (
http://www.seroundtable.com/structure-is-king-with-seo-12594.html) This must be news to the recently deposed Content as king, its regent, Context and whatever was considered king before newly anointed Structure. It is great to welcome someone as influential as Derrick to the community of believers in the influence of information architecture and user experience on optimizing sites for search engine visibility.
Structure as an influence on search ranking is not new. I think that it came on the SEO scene sometime in 2006, along with many other updates made possible by a giant leap in processing capacity. It is hard to tell because those wascally wabbits at the search engine companies play their methodology very close to the vest. I address this influence in my
SEO & IA: The Beginning of a Beautiful Friendship presentation to the 2007 IA Summit (http://www.slideshare.net/msweeny/seo-and-ia-the-beginning-of-a-beautiful-friendship).
However, we must be wary of SEO monarchists that try to convince us that “anything is king" of SEO. The search engine landscape is changing so quickly that it is not possible for any one thing to an absolute monarch over optimization for search engines. And, this is how the search engine programmers and companies want it.
If anything, the influences on optimization are a fierce oligarchy between context, content, customer behavior, site interaction, page design, online social contributors and many more data points that now contribute to PageRank. The search engines want their algorithms to select the best results. They want site administrators and content creators to draft, structure and maintain their websites in a way that plays to, rather than tries to control or circumvent, the algorithms.
The best tool for SEO is a strategy. One that maps intent to technology and measures post effort success and analyzes behavior to ensure enduring optimization. The best facilitators of this type of strategy are search information architects (like moi) that labor to understand the changing nature of the governing oligarchy and bring structure, experience and behavior skills to a collaborative engagement.
I'm standing in the kitchen of my home in Copenhagen. It's been snowing and the branches of the tall cedars behind the house are heavy with white. The reflected light, cool but embracing, changes the room in a magical fashion.
It's Friday and from both personal and professional standpoints, this has been a difficult week. I'm incredibly tired; I hope there will be time to read a forgettably bad novel this weekend. Monday will mark the start of another difficult week.
As I gaze at the Currier & Ives landscape, a memory rushes back to me. It was Friday the 12th of February. Many years ago. In Highland Park, Illinois.
I was in Miss Ellis's fifth grade at the time. The class had exchanged Valentines Day cards that morning; Margo Dessauer, who sat across from me, said we were lucky to be 11 - young enough to be considered children, but old enough to understand and remember what was going on around us. Margo was really smart.
Later, Jim Fieldman outskated me during an ice-hockey game. And around noon, we were sent home for the weekend. I trudged through the snow past Marcia Weiland's house and Vicky Vietsch's house, and John Moroz's house, down Wade Avenue to the corner where my best friend, Jon Kassel, lived, and then up the hill to our home on Cedar Avenue.
My mother made me a warm lunch. As she cooked, I gazed out the kitchen window. Snow. Cedars. Wonderful light. Jon came over and we spent the afternoon exploring the ravine behind our houses before dusk and dinner called an end to our expedition. When I returned, my father was home, there was a fire in the fireplace, and life was lovely.
Today, gazing at the snow, I wish I was back exploring ravines in Highland Park. But I'm not. I don't live in the past and I normally don't dwell on it. But today, well, here I am with my coffee and Copenhagen and a sudden, intense memory. And I'm thinking there must be a message in this somewhere.
Status
My father passed away in 1988. I miss him. My mother is alive - but there are good days and bad days. I miss her, too.
Jon and I haven't seen each other in years. I moved away from Highland Park in 1972. Happily, we found each other on the internet a few months ago.
Various events in my late 'teens caused me to grow up quickly. A friend once remarked that I was "eighteen going on forty". This was not a compliment but an expression of concern.
So maybe this is the message: today might become one of the "good old days" you'll later yearn for. Enjoy it. Live life to the fullest.
And don't grow up too fast.
The hoopla around Google Instant has finally died down. It now remains an annoying feature that Google will diminish like the equally lauded ability to comment on results that came and went. Fingers crossed for good luck at my end that Google Instant makes its exit sooner rather than later. It is an accomplishment of engineering that fails the user experience test on a grand scale.
Users do not think as quickly as machines and they certainly cannot type as fast. Below, I am trying to find information on Bright Edge SEO (www.brightedge.com). Unfortunately, the war between auto-complete and Google Instant turns me into collateral damage as I am unable to complete my search without resorting to painstakingly slow two-finger typing.
Google Instant Search for BrightEdge SEO
Trying to find information on “marketing software” was equally as painful until I adapted my behavior to Google Instant’s performance. There’s something wrong with that user experience scenario.
Google Instant Search for “marketing software
Search engines seem fast enough for their users who have consistently asked for relevance over speed. Unfortunately, computational determination of relevance is quite different from that of a user base made up of thought-processing bipeds. For people, relevance is a matter of feeling, whether one of satisfaction, awareness or resolution. Computational relevance can be revealed in an instant with changing results based on keystroke. Human relevance takes a more time and more consideration. Search engines deliver computational relevance. We searchers are responsible for the human kind and that cannot be delivered in an instant.
Just ask Clarabelle Rodriguez who purchased eyeglass frames from an online retailer that appeared high in her search results. The harrowing tale of
cyber-bullying documented in the New York Times and other media revealed that this placement resulted from negative comments about the vendor. Clarabelle thought that this vendor and its top 5 result meant that the site was good because it was relevant as in trustworthy. Google’s algorithm thought the site was good because a lot of people were talking about it and that’s logical, right?
I am ready, willing and able to sacrifice the nanoseconds of time Google Instant claims to save me in the interests of typing with all of my fingers and taking a closer than the blink-of-an-eye look at search suggestions and search results that try to keep up with my typing. For those who wish to join me, you can turn off Google Instant by clicking on the “Instant is on” link (in teeny, tiny font) to the right of the search result and selecting Off (press to enter search). Unfortunately, the Google engineers won over the Google usability folks and you have to: 1) perform a search before you can turn off Google Instant and 2) cannot make this a permanent change and so must do it every time after clearing Google’s tracking cookies.
How to Turn Off Google Instant
I know that it is an effort to move the mouse and click that search button. Take my word; it is worth it in the long run. Just ask Clarabelle.
This morning I went to the train station to acquire a monthly traveler's card from DSB (public Danish transportation) The last time I needed this, was ten years ago when I went to college. At that time you would have to bring a photo of yourself to the card personal. Not a problem! I had tons of those small photos of myself I got from the school photographer. Today however, ten years later, I don't have any photos of myself lying around - well except maybe for a few of the ones back from college.
Luckily, I thought, this is 2010 and DSB can't possibly be using the same procedure as they did in the analogue 90's. By now, they will for sure have a small handy camera attached to their computer, ready to snap my picture. It was with great disappointment I found out that this was not the case. The nice lady behind the counter asked me for a photo the same way she did in '99.
When I go to Tivoli they have an automated system for taking headshots. The same goes for the gym. And the university. And the library. And the local pool club. And the…
The number of members in these kinds of institutions is nothing compared to how many people are using DSB's traveler's card on a daily basis.
If you live in Denmark, you will know that complaining about trains arriving late, is as common as talking about the weather. In fact, it's a perfectly reasonable subject for a conversation with a stranger - and just for perspective; conversations with strangers in Denmark are the last thing that defines our cultural code.
I can imagine that it's no easy task to manage thousands of departures and arrivals each day and have them all be precise to the minute. DSB has always struggled with the goodwill of the public, and perhaps paying a bit more attention to the easy fixes would help the amount of goodwill go in the right direction.
I ended up buying an unpersonalized traveler's card - a rather expensive solution, but my options were to spend money in a photo booth, and that would have set me back even further.
I'm one of those actually appreciative for the existence of the public transportation, and I can live with the bus or the train being late by 5 minutes. But honestly DSB, look at the calendar year and wake yourself up before you go-go!
I attend a fair number of conferences each year. I speak at a number of these. I also help organize a conference,
EuroIA. Here are some of the things I’ve learned over the years. Perhaps they will make your life easier and your presentations smoother. As an audience member, there’s nothing worse than watching novices fiddle about on stage.
Note: this is not so much about HOW to present, but how to handle the technical and practical aspects of public speaking. Presenters: I’m assuming you know that eye contact is a good thing. Organizers: I assume you understand the importance of keeping a conference running smoothly and providing free WiFi.
Note #2: I will be incorporating reader suggestions in order to keep this article up-to-date. So if you have a great tip, please let me know.
Tips for presenters
1. Take the time to check your presentation ahead of time on a real VGA projector. Under all circumstances, you need to know how to get your presentation up on both the projector AND your laptop screen (two clicks on F4 or F10 for most PC users). You’ll find that orange and yellow will become greenish. And light grey lines in graphs and other graphics may disappear entirely. Some videos may become way too dark. Adjust your colours and other elements accordingly so your audience actually gets to see the things you want to present.
2. Check your timing. Audiences feel cheated if you have to rush through or skip large portions of your presentation. And you look pretty foolish, too. If you want to take questions afterwards, make sure to leave time for this. For this reason, I ALWAYS take a small, easy-to-read analogue clock with me that I put somewhere I can see it. It is easier to glance at a clock with big hands than at your wristwatch or presentation tool. If all else fails, I sometimes start the stopwatch on my phone and put the phone on the floor in front of where I will be standing. Whatever you do, NEVER run over your allotted time. If your organiser is going to provide time signals, make sure you understand them and VISIBLY ACKNOWLEDGE them when you see them during the final minutes of your presentation.
3. Check your equipment ahead of time. Use a break prior to your presentation to set up your computer and make sure everything works properly – particularly video and sound. You can then disconnect it, knowing that when it’s your turn to present, the changeover should be a simple matter of plug-and-play.
4. If you are presenting from someone else’s computer, make sure to check your animations. (Powerpoint does not convert one-to-one when moving from a Mac to a PC and vice versa.) Also, not all Powerpoint and Keynote functionality is backward compatible. If your presentation was created using the latest product release and relies on sophisticated features, check these thoroughly after you transfer your presentation to the host computer. Personally, I still use PowerPoint 2003 because it works with pretty much everything (except a Mac, of course).
5. If you are using a remote presentation tool (I love my
Logitech 2.4 GHz cordless presenter), make sure to check that it has batteries and is in good working order. If you are using a smartphone and Bluetooth (Android, iPhone, etc.) to advance your slides, make sure it is also charged and ready for action (Warning to new presenters: because smartphones use touch-screen buttons, you’ll have to look at your phone each time you need to click, which can seriously hinder your presentation style. Far better to buy or borrow a dedicated clicker with physical buttons. And practice using it and the laser pointer!)
6. Always make sure your computer has a VGA port or an adaptor to this format. If you are presenting from a Mac, make sure to bring your own MiniDVI to VGA adaptor. As an audience member, it’s irritating to wait while a presenter asks the audience if anyone has an adaptor. Organizers have a schedule to keep; the time you waste is often your own. Note: the adapter for older Macs will not fit a newer machine and vice versa.
7. Bring with you all the proper power cables and outlet adaptors you will need. Simple electrical plug compatibility can be a real hassle sometimes, so make sure you can actually plug in your laptop. 120V and 220V conversion is rarely an issue; the problem is always with the physical plug connection. Remember to take your adaptor with you when you’re finished (most of the adaptors I own have been left behind by others in hotels and at conferences).
8. Fully charge your laptop or iPad before your presentation. If someone kicks out the plug, you don’t want your presentation to crash.
9. If you need sound (typically a 3.5mm jack to plug into your headphone output), tell the organizers well ahead of time. Don’t automatically assume that sound will be available.
10. Optimize your screen resolution. PC users seem to do best at 1024 x 768. That said, older projectors will sometimes insist on 800 x 600 resolution. Mac users should probably start with 800 x 600 and work their way up to something higher. The wide-screen projectors now coming into use will probably require you to fiddle with your settings for optimum results. I have no rule of thumb at this point.
11. Older Mac operating systems require a restart to properly connect to the projector. Remember this if the computer is not connecting properly.
12. If your laptop is connected properly, but the projector gives you a “No Signal” message, try switching the source input on the projector (for example from PC 1 to PC 2).
13. If you are going to upload your presentation to Slideshare, do so ahead of time, but mark it as “Private”. The morning of the conference, you can easily switch this restriction to “Public” from a smartphone or some other low-bandwidth device so your presentation immediately becomes available.
14. If you want to read more about generic presentation tips, check out this excellent 2007 article from Lifehack:
http://www.lifehack.org/articles/communication/18-tips-for-killer-presentations.html
Or this one from BZ Media:
http://bzmedia.com/speakertips.htm
Or this great advice from Donna Spencer:
http://maadmob.net/donna/blog/2008/10-tips-conference-presentations
And if you will be speaking through an interpreter, check out this excellent advice from AZ World:
http://www.a-zworld.ca/blog/interpretation/tips-for-conference-orzanizers-and-speakers/
Tips for conference organizers
1. Make sure you have a range of suitable electrical adaptors, plus both of the Mac VGA adaptors in your emergency kit. Ensure that there are unused power outlets available at the speaker’s podium – at least two.
2. Arrange hand-signals with your speakers so they know how long they have left before their time runs out. I generally stand at the back of the room and hold up two hands with fingers outstretched to signal “10-minute warning”. A single hand is the “5-minute warning” Making a “T” using both hands means “Time up”. Put a clock on stage if one is not already hanging at the back of the room. And don’t be afraid to drop a Q&A session or simply break off a presentation if the speaker is unable to finish at the proper time.
3. If a session starts late (but not because the presenter is unprepared), don’t cut the presenter off early just to make up time. You owe them the chance to deliver their session properly. Better to incorporate longer breaks and to shave some time off of these to get back on schedule.
4. Don’t force your guests to use a standard presentation design template. This cramps their visual style. Even a simple header/footer will invariably take up valuable on-screen space. It’s better to do without.
5. Although you may need contributions for your printed proceedings well in advance of the conference, give your speakers as long as possible to edit and improve their presentations - preferably up until the night before the conference (when their own creativity and adrenalin levels are at their highest). Insisting on a “final” presentation weeks ahead of time will invariably lead to poorer performance levels during the conference itself. Note: the best presenters practice and fine-tune their stuff up until the very last minute – not because they are unprepared, but because they are gearing up for the performance they will be giving.
6. If you want your conference logo or Twitter details on the opening screen of the presentation, let your presenters know in good time. Do them the favour of sending them an optimized logo that is easy to paste into their presentation (eps, jpg, gif). Don’t assume presenters are going to bother to download something from your conference website and then Photoshop it to the right format – or that they even have the skills needed to do this.
7. Although tempting, avoid uploading presentations to your on-stage conference computer. This can easily screw up videos and animations. If swap time is critical (e.g. moving from one presentation to the next), arrange to have a VGA switch available so you can move from one computer to the other at the flick of a button.
8. If you have a cover slide to open your conference, or even a simple presentation of sponsors etc. to kick off the proceedings, consider giving this to your keynote speaker so he or she can incorporate it at the beginning of his or her own slide deck. This avoids the first presentation hand-off and starts the conference in a smoother manner. If you have a standard title slide you want to use as a transition to other presentations, give this to your presenters ahead of time.
9. If you plan on starting your conference by thanking all your volunteers, consider putting together a PowerPoint that runs automatically and loops endlessly while people are finding their seats.
Seth Godin has a good article about how to do this. As opposed to a simple cover presentation, you’ll probably need to keep this on your conference laptop and not give it to your opening keynote speaker.
10. If you absolutely need a presentation delivered to you on a USB stick (to coordinate with a video recording, for example), make sure to let the presenter know exactly what is needed and how it will be used in advance of the conference.
11. If you have a screen behind the speaker, beware of using big plasma displays (LCD). These will not appear properly in photographs taken at the event. The colours always change and the effect can be very disconcerting.
12. Keep in mind that projections on a wall will be dimmer than projections on a real movie screen. Back projections will not be as bright or photograph as well as front projections.
13. Make sure projector and sound cables (VGA and 3.5mm jack) are available at the same physical location (the podium for example). Curiously, many technicians have VGA at the podium and sound somewhere else entirely. Conversely, make sure the cables can be separated; many laptops have VGA and jack inputs on opposite sides so bundled cables can create problems.
14. If you need to give your presenters a microphone, make sure they are cordless. Handheld is OK, but lavalieres are much, much better. Be sure you know how they work and where the mute button is located – don’t rely on a local technician. Ensure that the batteries are fresh in the morning – and swap them during the lunch hour. That said, if you can afford it, keep your technicians in the room at all times.
15. If you expect questions from the audience, make sure a hand-held cordless mike is available, plus a runner who can bring the mike to audience members. If you have two aisles, two mikes/runners are better than one.
16. If you want to read more about how to run a conference, check out this article:
http://www.stateofsearch.com/five-tips-for-search-conference-organizers-to-please-your-visitors/
My wife and I recently received a wonderful gift: an electric juicer. Normally, I fight to keep contraptions like this off our kitchen counters, which I view as workspace, not storage or display. But the juicer is a really neat machine (albeit a bitch to clean). Here it is:
Great piece of kitchen kit!
Our friends brought along a whole shopping basket full of berries, apples, oranges, limes, red beets, ginger, celery, and other goodies to stuff down its plastic gullet. But what was the best way to combine them? I needed some advice.
Alas, the user manual looked like a thousand other user manuals:
- exploded diagram showing all the parts
- lots of warnings to unplug the unit before doing anything (except using it)
- "Make sure unit is plugged in"
So much for creating a good experience...
What's wrong with this picture?"
Having created a great product, why didn't the manufacturer, OBH Nordica, try to inspire me? Why didn't they include a couple of simple recipes to get me started? Why didn't they tell me about how this monster conserves vitamins and gets them from
their mechanism to
my metabolism? Why didn't they follow through and help me complete the experience they were helping to create?
"That's what our advertisements are for," explained the myopic marketing maven I spoke with.
The sale is NEVER closed!
It's a big mistake to assume that once the sale is made, everyone will be happy. In fact, several software producers have asked us to help their customers get better results from their products. Lousy implementation will kill any product, no matter how well-designed it is. Right now, my twisted mind is wondering what would happen if I stuffed oysters into our shiny new juicer...
"Nobody ever reads the user manual"
Wrong! We might ignore a user manual if you also give us a well-written "Quick start" guide. But most people glance through the real user manual at some point - particularly for devices that feature:
- moving parts that need maintenance (cars, lawnmowers, sewing machines, etc.)
- disposable/replaceable bits and pieces (vacuum cleaners, coffee machines)
- bizarre behaviour when you push a particular button
And folks will
always read the manual if your product's user-UN-friendly interface is particularly antisocial. My Danfoss ECL Comfort 200 home heating controller, for example.
So, if folks are perhaps going to look at this documentation, why not make an attempt to produce something as appealing as the physical product itself? In terms of user experience, I think most manufacturers are really missing a great opportunity.
The exception is Sandberg
I recently bought a USB hub. Naturally, it came with a user manual. Here's the EU-friendly cover - featuring all the flags of all the languages in which the manual was printed:
Cover of the Sandberg USB-hub instructions
Now, as this is basically supposed to be a plug-and-play device, I was sorry to see that Sandberg thought a user manual was necessary. So imagine my delight when I opened it up:
What a delightful surprise! Very cute, indeed.
The Sandberg people apparently felt that a user manual was as unnecessary as I did. So they turned the whole thing into a joke - boring cover, but with useful suggestions inside. Great. I'm a fan. Sandberg is a brand I will look for in the future.
And that makes user manuals part of the business model (wink, wink)
What is YOUR product?
Nokia's "PC Suite" software is arguably the most distributed in the world. But it crashes many computers. Apple's iPad and iPod are slick physical objects and the user interfaces are pretty good as these things go. Yet iTunes (the software key needed to get anything into these devices) ranks as one of the worst programs I've ever used. Sears Kenmore vacuum cleaners are great, but the bags are pretty much only available from Sears, which usually means driving quite a distance (I couldn't find the "replacement part number" I needed on their website - or even at the outlet store to which I was sent).
In short, don't think that you can get by with a great product. Your documentation and support mechanisms are key parts of the entire use-experience scenario.